Gece/Night

I started sketching at night during my stay in Cappadocia last summer, and found  it so interesting to compare what could be seen or not seen during the night, as apposed to broad daylight.  This fall, despite the dropping temperatures, I found myself outdoors most evenings…doing quick studies, taking photographs or making longer drawings with my fellow artists.

“I often think that the night is more alive and more richly colored than the day.”

-Vincent Van Gogh

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“Ibrahimpasa at Night 1” Mixed Media on Paper, 2014

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“Ibrahimpasa at Night 2” Mixed Media on Paper, 2014

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Photo Credit: Artist Heather Freedman

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Monsoon Colors

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Some flight home, on some date, some day-trip to a friend’s home

in a nice neighborhood, some old men who sell figs in a damp

market, wave gently and nod by, a boy on his tractor,

breathless and heavy, with Monsoon colors in his hair

Sleeping Positions.

An excerpt from a poem by Catherine Reeves

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“Monsoon Colors” Mixed Media on Paper, 2013

Prints

Just a quick side note before I continue with my account of the Black Sea….

I have recently been in touch with people about selling prints of my paintings.  I have sold a few in the past, but have never done much advertising for them.  Its good for me because prints are easy and fast to make, and good for the client because they are affordable, can be printed at any size and look almost as good as an original.  So, that being said if you are interested in purchasing a print of any sketch, painting or drawing of mine, please contact me at gabrielleannreeves@gmail.com.  You can find most of my work on this site, as well as at Gabriellereeves.com.

A few examples of prints sold…

"Mala in the Monsoon" Mixed Media on Paper, 2013

“Mala in the Monsoon” Mixed Media on Paper, 2013

"Waldo" Oil on Canvas, 2011

“Waldo” Oil on Canvas, 2011

"On Road"  Oil on Canvas, 2008

“On Road” Oil on Canvas, 2008

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“Apparaition” Oil on Panel, 2010

Thank you to everyone who has supported my work!  Now, back to the Black Sea…

Babayanlılar: The People of Babayan

As a part of my project this summer, I conducted a series of individual portraits, and Ibrahimpaşa‘s residents served as my models.  I made as many portraits as I could, and sometimes could barely keep up with all the appointments I made.  I drew the villagers at work, in their homes, drinking çay in the kahve hane (coffee house) and taking lunch breaks in the town square.

Rather than bringing models into my studio, I wanted to see and interact with them in their own element, where they where comfortable, where they are themselves.

Thank you to all of my village models, for all that you have taught me…

"Kus Mehmet" Mixed Media on Paper, 2013

“Kus Mehmet” in his shop, Mixed Media on Paper, 2013

"Dukkan" Ink and Watercolor on Paper, 2013

“Dukkan” with Kus Mehmet behind the counter, Ink and Watercolor on Paper, 2013

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“Mustafa ve Linda” Ink and Watercolor on Paper, 2013

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“Eski Mustafa” Graphite on Paper, 2013

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“Merve” Ink and Watercolor on Paper, 2013

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“serefe” Graphite on Paper, 2013

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“Recep” Ink on Paper, 2013

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“Ismet 1” Graphite on Paper, 2013

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“Ibrahim ve Mustafa” in the kahve hane, Mixed Media on Paper, 2013

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“Ismet 2” Graphite on Paper, 2013

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“Kadir” the kahveci, Graphite on Paper, 2013

Interior

Works of the inside, or from the inside looking out…

All drawn on location in Ibrahimpaşa, as part of my BHC project.

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“Kahve Hane” Mixed Media on Paper, 2013

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“Interior” Mixed Media on Paper, 2013

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“Saadet” Graphite on Paper, 2013

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“Kizlar” Ink and Watercolor on Paper, 2013

 

Gece Çizimler/Night Drawings

Ibrahimpaşa is stunning at night; when everyone retires into their homes, the streets are quiet, and dim lamps reflect yellow and orange hues against stone houses tumbling down the hill.

The last time I did a night drawing was in Istanbul 2 years ago, with fellow sketcher Nicole.  We sat awkwardly at a tippy table in Fener, using çay as medium while street cats walked across our drawing paper and the light rapidly faded.  I remember how uncomfortable the situation was, but also how all of these challenges brought about unexpected energy to our drawings.  For me, another layer of difficulty brings another layer of exhilaration, and I find that my work often benefits from a bit of chaos.

One way to add a great deal of chaos to the drawing process, is to work at night.  Finding a good light source, sitting in the cold, trying to capture the infinite lights and darks that appear within shadows, being able to see the colors you are using….all difficulties in the night sketching process.

In the early Kapadokyan summer, I sat under a dim street lamp with frozen fingers. Drawing shapes that had become so familiar to me during the day, and so mysterious at night.

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“Gece Çizim/Night Drawing 1” Mixed Media on Paper, 2013

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“Gece Çizim/Night Drawing 2” Mixed Media on Paper, 2013

 

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“Gece Çizim/Night Drawing 3” Mixed Media on Paper, 2013