Babayanlılar: The People of Babayan

As a part of my project this summer, I conducted a series of individual portraits, and Ibrahimpaşa‘s residents served as my models.  I made as many portraits as I could, and sometimes could barely keep up with all the appointments I made.  I drew the villagers at work, in their homes, drinking çay in the kahve hane (coffee house) and taking lunch breaks in the town square.

Rather than bringing models into my studio, I wanted to see and interact with them in their own element, where they where comfortable, where they are themselves.

Thank you to all of my village models, for all that you have taught me…

"Kus Mehmet" Mixed Media on Paper, 2013

“Kus Mehmet” in his shop, Mixed Media on Paper, 2013

"Dukkan" Ink and Watercolor on Paper, 2013

“Dukkan” with Kus Mehmet behind the counter, Ink and Watercolor on Paper, 2013


“Mustafa ve Linda” Ink and Watercolor on Paper, 2013


“Eski Mustafa” Graphite on Paper, 2013


“Merve” Ink and Watercolor on Paper, 2013


“serefe” Graphite on Paper, 2013


“Recep” Ink on Paper, 2013


“Ismet 1” Graphite on Paper, 2013


“Ibrahim ve Mustafa” in the kahve hane, Mixed Media on Paper, 2013


“Ismet 2” Graphite on Paper, 2013


“Kadir” the kahveci, Graphite on Paper, 2013



Works of the inside, or from the inside looking out…

All drawn on location in Ibrahimpaşa, as part of my BHC project.


“Kahve Hane” Mixed Media on Paper, 2013


“Interior” Mixed Media on Paper, 2013


“Saadet” Graphite on Paper, 2013


“Kizlar” Ink and Watercolor on Paper, 2013


Gece Çizimler/Night Drawings

Ibrahimpaşa is stunning at night; when everyone retires into their homes, the streets are quiet, and dim lamps reflect yellow and orange hues against stone houses tumbling down the hill.

The last time I did a night drawing was in Istanbul 2 years ago, with fellow sketcher Nicole.  We sat awkwardly at a tippy table in Fener, using çay as medium while street cats walked across our drawing paper and the light rapidly faded.  I remember how uncomfortable the situation was, but also how all of these challenges brought about unexpected energy to our drawings.  For me, another layer of difficulty brings another layer of exhilaration, and I find that my work often benefits from a bit of chaos.

One way to add a great deal of chaos to the drawing process, is to work at night.  Finding a good light source, sitting in the cold, trying to capture the infinite lights and darks that appear within shadows, being able to see the colors you are using….all difficulties in the night sketching process.

In the early Kapadokyan summer, I sat under a dim street lamp with frozen fingers. Drawing shapes that had become so familiar to me during the day, and so mysterious at night.


“Gece Çizim/Night Drawing 1” Mixed Media on Paper, 2013


“Gece Çizim/Night Drawing 2” Mixed Media on Paper, 2013



“Gece Çizim/Night Drawing 3” Mixed Media on Paper, 2013


Local News

On an early morning in late May, I caught a ride to Nevşehir with some Ibrahimpaşa locals.  I found myself sardined in the back of a van, soft bodies surrounding me on every side, bumping along the road to Nevşehir with a group of Turkish women.  We were on our way to make gözleme and other Turkish goods for the first day of a 10 day long food drive.  I had been invited on the excursion, and was eager to help as well as spend a day in some new surroundings.

I spent the morning rolling out paper thin dough with the village women, practicing my Turkish and eating way more than I ever thought I could.  When my attempts to turn down more gözleme or baklava seemed to be failing, I decided to take a break from rolling  dough (which I was embarrassingly terrible at) and walk around the city in search for a good place to draw.  Unless you want to go to the mall, or eat some American style pizza, Nevşehir is not the most interesting place to visit in Kapadokya.  However, there is a Byzantine castle on a hill above the town, and plenty of shady spots to sit on the streets below.

I settled myself outside of the Nevşehir Belediyesi (or local government building), where there was a perfect view of the ruins, and began work on an ink and watercolor sketch.   I had been working for about an hour when I heard the snap of a camera from behind me.  Before I knew it, I was surrounded by a small news crew that had seen me drawing on the street and rushed over to ask me questions.  There can be an awkward moment when you are talking with people whose English is about as good as your Turkish and it becomes confusing which language is the best to communicate in.  So, we switched back and forth, speaking Turklish, as I explained where I was from and what I was doing in Kapadokya.  When the interview was done, they thanked me and rushed inside the Belediye building to bring me a fresh cup of Turkish coffee that I enjoyed as I leisurely finished my drawing.

It was a matter of days before the paper circulated in Ibrahimpaşa with the short interview I had in Nevşehir.  There was a bit of excitement at the local bakkal as I passed around the paper with locals and we all read it together.  Apparently, my Turkish isn’t as good as I think…because there were a few facts that were a little off…but I was so pleased and honored to be mentioned in the local news.  I love Turkey, in all its spontaneity!  To see a digital version of the article click here.




“Nevsehir” Mixed Media on Paper, 2013

Street Drawings

Working on the streets of İbrahimpaşa

While in residency at Babayan (though I had a beautiful cave studio) I spent most of my time perched on the neighborhood streets, and the town became my studio…

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"Neighborhood Scene 2" Graphite on Paper, 2013

“Neighborhood Scene 2” Graphite on Paper, 2013

"Neighborhood Scene 3" Mixed Media on Paper, 2013

“Neighborhood Scene 3” Mixed Media on Paper, 2013

"Neighborhood Scene 4" Mixed Media on Paper, 2013

“Neighborhood Scene 4” Mixed Media on Paper, 2013

"Neighborhood Scene 5" Ink on Paper, 2013

“Neighborhood Scene 5” Ink on Paper, 2013

"Manzara 4" Ink and Watercolor on Paper, 2013

“Manzara 4” Ink and Watercolor on Paper, 2013

"Mavi Kapısı" Ink and Watercolor on Paper, 2013

“Mavi Kapısı” Ink and Watercolor on Paper, 2013

"Tractor" Mixed Media on Paper, 2013

“Tractor” Mixed Media on Paper, 2013

More Market Sketching

I have been sketching on location now for…well for as long as I can remember really.  Though there are definite times in my life when it feels as though I am constantly drawing, there are also those times when I let it drift away for a while.  My time in Kapadokya at Babayan was a peak in this artistic cycle, and no matter where my daily activities brought me, I was constantly prepared to draw.

However beginning the process can be a bit difficult, especially in a busy Turkish marketplace.  I always feel slight anxiety as I pull out my sketchbook and pens, trying to capture the rows of color and energy of the market, while the weekly shoppers swarm around me.  As the drawing develops, my self conscious feelings slip away and I realize how endearing people find the art-making process.

I drew in almost all of the Kappadokian markets this summer, and nearly always found myself with a handful of free fruit, a crate or a pile of corn that had been offered to me as a seat, endless glasses of çay and a number of eager models.  Every time I feel slightly nervous to draw, I have to just do it, and when I am sketching anywhere in Turkey, I inevitably end up with new friends, and a satisfied appetite.


“mısırcı 1” Pen and Watercolor on Paper, 2013


“Avanos Market” Pen and Watercolor on Paper, 2013


“Nevsehir Market” Pen and Watercolor on Paper, 2013


“mısırcı 2” Graphite on Paper, 2013

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Eski Cami

I spent 2 days drawing in the Eski Cami, as I called it.  An archaic mosque tucked away in Ibrahimpaşa, and hidden behind a locked door.  No one seemed to know or agree on how old the mosque is, whether it had always been a mosque, and why it is no longer in use, but it is evident when stepping into the place that it carries a great deal of history.  I was compelled by the striking colors of the mihrab and minbar, making great contrast against the whitewashed stone walls.

Working in this still, serene and beautiful space gave me a feeling of incredible clarity.  Drawing, for me, is the best form of meditation.  I feel completely present, aware…my cares of the past and future dissolve into the air.


“Eski Cami” Mixed Media on Paper, 2013

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